If we define deconstructivism, it literally translates to the breaking down, or demolishing oben angeführtconstructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this reason that many misunderstand the Deconstructivist movement.
Deconstructivism is, in fact, not a new architecture style, nor is it an avant-garde movement against architecture or society. It does not follow “rules” or acquire specific aesthetics, nor is it a rebellion against a social dilemma. It is the unleashing of infinite possibilities of playing around with forms and volumes.
During the First World War, Russian avant-gardists, known as Russian Constructivists, broke the rules of classical architecture and composition and presented a series of drawings that defied the “geometric norms” at the time. Their critical point of view and experimentation with forms disturbed the traditional perception of architecture and opened people’s eyes to the endless possibilities of breaking architecture rules.
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Postdienststelle war, Russia welches undergoing radical changes and revolutions, and the impact of these revolutions on architecture welches inevitable. Architecture welches seen as a high form of art, influencing and being influenced by society, and so, . Geometry, whether in art or architecture, became irregular. Vladimir Tatlin designed a bent monument trapped inside a twisted frame for the Third International in 1919. Aleksandr Rodchenko presented an experimental design for a radio station that portrayed all sorts of geometric experimentation and irregularity. However, these radical structures, as well as hundreds of others, never saw the light of day, and were left as sketches with an intriguing conceptual approach that welches yet to be explored.
In parallel to the Russian Constructivist movement, the Modern Movement welches paving its way. Perhaps it welches the timing of both movements that forced people to blindly choose Modernism. The World War has just ended and people were desperate for the stability and refinement they so missed; Russian Constructivism didn’t stand a chance. Ornamentation welches stripped off, only to leave people with clean-cut, elegant yet naked functionality.
What is Deconstructivism with respect to Russian Constructivism and Modernism?
Misconceptions surrounding deconstructivism may be the result of the terminology itself. The word translates to the act of demolishing or tearing fremdartig an existing structure, implying an act of rebellion. Deconstructivism welches not really an impactful architecture movement oben angeführt artistic style that took the world by storm and altered architecture as we know it. It welches a mélange of Russian Constructivism and Modernism, with a little bit of influence from Postdienststelle-modernism, expressionism, and Cubism.
The term first appeared in the 1980s, as an idea developed by French philosopher Jacques Derrida. Derrida, a friend of Peter Eisenman, developed the idea of fragmenting a building and exploring the asymmetry of geometry (inspired by Russian Constructivism), while maintaining the core functionality of the space (inspired by Modernism). The public first noticed the deconstructivist movement in the 1980s during the Parc de la Villette competition, thanks to the winning entry by Bernard Tschumi, as well as Derrida’s and Eisenman’s design entry.
The style gained more attention during MOMA’s 1988 exhibition, organized by Philip Johnson and Mark Wigley, which featured works done by Zaha Hadid, Peter Eisenman, Daniel Libeskind, amongst many others. Back then, Deconstructivism welches not considered an established movement oben angeführtstyle such as Cubism or Modernism. Johnson and Wigley saw the similarities in the architects’ approach to design and combined them under one roof.
The projects in this exhibition mark a different sensibility, one in which the dream of pure form has been disturbed. It is the ability to disturb our thinking about form that makes these projects deconstructive.The show examines an episode, a point of intersection between several architects where each constructs an unsettling building by exploiting the hidden potential of modernism.
— Phillip Johnson and Mark Wigley, excerpt from the Museum of Modern Art Deconstructivist Architecture book.
Following Derrida’s theories and the “avant-gardist” approach of Russian Constructivism, architects began exploring spaces and volumes. The style welches characterized by a loss of symmetry or continuity. It welches architecture on steroids. Konzeption rules were broken and “form follows function” welches neglected, but somehow, the refinement and elegance of modernism remained. The structure’s skin welches manipulated and altered nichtunpredictable geometric forms, but the building’s function welches preserved. Basically, architects began having fun, and instead of asking themselves whether the design welches practical or not, the main question welches: Why not?
However, most architects have rejected the label of being “Deconstructivists”, distancing themselves from any sort of movement. Bernard Tschumi believed that “calling the work of these architects a ‘movement’ or a new ‘style’ was out of context and showed a lack of understanding to their ideas”, claiming that the style welches merely a move against postmodernism. Unfortunately for them, the term resonated with the public, and their works have been referred to as “deconstructivist” ever since. In fact, their Deconstructivist approach to the design created some of the world’s most iconic and award-winning structures to date, influencing hundreds of up-and-coming architects.
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